Teenage Mutant Ninja Turtles
The Teenage Mutant Ninja Turtles, or TMNT, as I affectionately called them in second grade, represented everything that was exciting and adventurous to me as a child. I desperately wanted not only to hang out with Michelangelo and Donatello, but to actually be Raphael (Leonardo was a bit stuffy for my taste). Why Raphael, who, aside from being a turtle, was also male? Why not their female (and human) action-news reporter friend, April O’Neil? She even had red hair!
I didn’t have to be a feminist to know that April was simply not as exciting as Raphael or even boring Leonardo. She participated in only a handful of the Turtles’ actual adventures; most of the time she just cleaned up the mess they left behind with her production crew. This is, for me, the most affecting example of the Smurfette Principle. I identified with a male, mutant reptile over a perfectly un-mutated human of my own sex, because that’s how boring she really was. I saw women being so thoroughly undervalued that I didn’t just feel lousy about it, I detached myself from the sex altogether. I wanted to be male. And a turtle. Yikes.
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Leonardo
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Since the original theme song still runs through my head from time to time, I’ll just use the lyrics to explain the characters. Leonardo leads. |
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Donatello
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Donatello does machines. |
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Raphael
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Raphael is cool, but crude. |
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Michelangelo
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Michelangelo is a party dude. |
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Splinter
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Splinter taught them to be ninja teens. |
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April O'Neil
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Okay, end of lyrics, because April is not in the theme song (that’s rather telling, isn’t it?). April is the only human of the regular gang and also, as I mentioned before, the only female. She’s also a broadcast journalist, constantly competing for whatever scoop the Turtles leave in their wake with her male counterpart, Vern. See, I’m trying to make her sound exciting, but she’s just…not. |
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